JW1925

John’s World (1925): Did she get the part?

Going from walking around worlds to observing characters “living” in them.

Every image and video frame in this article is generated or article-supporting media from the original post. Synthetic people and worlds here are research artifacts, not documentary claims.

This page mirrors my original Substack post inside the John’s World section of EricRhea.com. The original remains available at advisoryhour.substack.com.

Generated silent-film-era diner frame showing Vivienne at work behind the counter.
Vivienne might be a famous Silent Film Actress, but she also has a day job at the diner.

Vivienne might be a famous Silent Film Actress, but she also has a day job at the diner.

Waitressing

This is the first run that I’ve had anything remotely close to this level of complexity. Here our main character is in a diner. It’s the proverbial waitress scene.

The waitressing run from the post: a JW1925 character sequence that starts moving the experiment from environment traversal toward characters living inside the generated world.

When I started John’s World it was an experiment in figuring out how the Awren and Vesper world might be explored in new ways. Out of that experiment I’ve discovered a whole new set of interesting capabilities. While this short isn’t perfect, it is directionally interesting.

This isn’t just about slinging together clips. It’s about creating a movie pipeline that unfolds a story in a given universe. There’s a lot more to stitching together clips-I’ve learned a tremendous amount about how naive I was about clip-stitching my way to a coherent short. There’s still many nuanced things to improve.

Seeing Vivienne at work here had me wonder: what if we jumped time periods and tried putting someone in a scene watching television? Keep on the lookout for a new John’s World (I really need a better name for this). The new world will be just someone watching a TV. And maybe I can even have them play a video game?

Let’s find out…

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